Image courtesy Sheroes tumblr
Welcome to The Future. The year is 2359. We are broadcasting from the basement archives of the former State Institute for Futurology. For the next two hours we will be sifting through the ruins of yesterday’s dreams for tomorrow. Everything is in disarray. The filing system is corrupted. But somehow, somewhere amongst the dust and the rubble we will – we will – we – w –
Haggerston Radio. This Saturday, the 21st of June. 18:00 – 20:00.
Artwork by Ray Kimura
Today, Ear Drums Pop release the third volume of their Between Two Waves compilation series and this one features the first track by the new project from Lisa Bouvier and myself, Guards! Guards!
The album also features exclusive collaborations from Spook School and the Just Joans, Fireflies and the Marshmallow Kisses, Enderby’s Room and Victoria & Jacob, along with many others. The whole thing is available to download for free from the Ear Drums website.
Keep an eye on the Soundcloud and Facebook pages for Guards! Guards! for more new songs in the near future.
“Because the Buchla and the Moog opened up the possibilities of controlling sound across its entire spectrum in so many diverse ways,” synth pioneer Bernie Krause explained to me via Skype, “– well, for me, it changed the whole idea of music.
“There are a lot of definitions of music. But for Paul [Beaver] and me, when we wrote the Nonesuch Guide to Electronic Music, we were asked at that time to define what music was. And it was very clear, with the synthesizer, that music was control of sound and that made the change for us. We then understood what it was. Finally.”
I spoke to Bernie Krause, former west coast dealer to the R.A. Moog Co. and synthesizer consultant to groups such as The Monkees, The Doors, and The Byrds, for this article at The Quietus, The Stradivarius of the Synthesizer: Fifty Years of the Moog. You can also hear me chatting about the Moog on Tom Robinson’s 6Music show this Sunday evening, Now Playing, between 18:00 and 20:00.